Taking leave from their jobs at a gold mine, three workers journey to their home village on foot through the spectacular yet unforgiving wilderness of the mythical island of Hugaw. As time passes and their conversations intensify, buried histories emerge and a sense of psychosis invades the scene. As ever, Lav Diaz’s exquisitely subdued black-and-white images and patient rhythm lend a Brechtian register to the drama; almost always filmed from the same fixed distance, each scene is an immaculate tableau vivant. Behind the film’s folkloric façade, Diaz once again taps into the collective memory of defiant struggles against the tyranny of both contemporary Filipino society and colonial brutality, centred on the timeless image of men walking – one of the key traits of Pan.